Concept Albums Explained: Tom Waits’ The Heart of Saturday Night

January 21st, 2026

by Paul-Newell Reaves

The Heart of Saturday Night
Tom Waits
1974


Tom Waits is hitting the town tonight, held upright by a lounge piano, a stand-up bass and jazzy drums.  ‘Cause the second release of his career is a boozy, gravelly-voiced pub crawl across San Diego, from the docks to the pool halls to the bus depot, ending up moon-gazing from a late night pizza joint.

 And as the concept album drunkenly stumbles about the nightspots, it questions what exactly the thrill of a Saturday night is, what is the appeal, what the result— who goes looking for it, anyway— and why do so in the first place.  Some of these questions are answered, some not, resulting in an album of profound longing for something just beyond reach. [read more…]



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And the Winners of the 2026 FLASH SUITE Contest are…

January 19th, 2026



Without wasting a moment,

the Grand Prize winner is
Razz by Eleanor Cullen

and the Runner-Up is
The Town that Forgot Its Name by Irene W Collins


It was an exceedingly close contest, as you can see below.

How the Judges Voted

One Grand Prize vote counts as two Runner-Up votes.
In the event of a draw, fan-voting becomes the tie-breaker.


Lady Moet Beast
Grand Prize: The Sky Between Us
Runner-Up: Systems of Us


Glenn R. Bruce
Gave a tie to: We Build the Sunlight & The Sky Between Us
giving each story 1.5 votes


A.M. Gautam
Grand Prize: Razz
Runner-Up: The Town that Forgot It’s Name


Allison Floyd
Grand Prize: The Town that Forgot It’s Name
Runner-Up: Systems of Us


Fan Vote:
Grand Prize: Razz
Runner-Up: The Town that Forgot It’s Name

The Fan Vote (each ballot casts two votes).



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Last Ten Hours for Fan Voting in the 2026 FLASH SUITE Contest

January 18th, 2026


The Judging Panel votes are in,
and it is close, indeed.

All that remains is the Fan Vote.
Vote now.




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(nonfiction—mostly—about people and windows) This is a story about

January 14th, 2026

by Ron Riekki

myself.  And a bunch of other boxers.

We were staying at a hotel, maybe fourteen of us, in one room (or was it two?), but I just remember there were a ton of us in one room, laughing, talking loudly, about the fights, which went well, most of us winning, and I didn’t fight, but I was there to support, and the front desk called about a noise complaint (us) and I picked up the phone and I can’t remember what I said, but it wasn’t friendly and it was stupid and it did get a massive laugh from the room and I hung up, and I was acting nutty, because these were boxers and I didn’t want to be some scared nerd afraid to be an idiot frequently, so I was an idiot nerd in full idiot mode, and there was a knock on the door, and it was an official knock, and we all got silent and the walls got silent and the silence got silent and the floor creaked a little bit, because the floor didn’t want to be some scared nerdy floor afraid to make a peep, and there was another knock and we tried to hold in the laughter, and then we heard a key in the door, and someone whisper-yelled for everyone to pretend we were all asleep, which is just ridiculous, but it’s what he had to offer as a plan, and he was a boxer and he’d won that day, so he’s allowed to have that be the plan and I remember people diving under the blankets in the bed, and diving on the bed over the blankets so that there were three of them lying how you’d normally sleep but one moron who lied crisscross on top of their stomachs, and I remembered people pretending quickly that they had been sleeping on the floor, and someone ran by me and into the bathtub where he lied down and cuddled up with the fiberglass, and I was in a chair so I just closed my eyes three-quarters shut and pretended that people sleep in hotel chairs daily, and the lights went out and a guy who looked like he was made out of cardboard came in and he had his arms folded like he was a really tough librarian, but the boxers would have torn him into sixteenths if they wanted to, but the pseudo-tough management guy announced something like, “All right, that’s enough of this, all you need to pack your bags and get up out of here” and I remember this eruption where someone headed straight for the window and opened it and he leaped out because there were no bags, just our bodies, and it was like an infection, contagious, how we all knew we needed to do the same, and so all these arms and legs and heads and torsos started leaping, one after the other, out the window, over and over, throwing ourselves down onto the grass that hurt, onto the earth with its razor-y rocks, onto the ground that hated our skin, and we hobbled up, resurrected ourselves, bruised from earth and uppercuts, and we ran into the boxing-glove-colored darkness, and someone yelled, “Who paid for that room?” and someone else yelled, “Not me,” and we were free, and we were jogging contusions, and we were young, as young as Mike Tyson’s memory, and we could have done anything with our lives and most of them disappeared into the future, but I know one died in a car wreck, and another died of something that kills people, and another became a pharmacist and got two DUIs and somehow they let him keep being a pharmacist, but with restrictions of where he could work, and he makes a quarter of a million a year combined with his wife’s income, and he’s had two wives, and two kids, and I remember his mug shot, how he looked like Harry Potter if Harry Potter was addicted to hemorrhoid cream, and the moon that night wanted to fight the sky, kept urging the sky to throw the first punch, and I don’t know what happened, if the sky and moon ever fought or not, because I ran into someone’s car and someone else dove in through a backseat window, his second window of the night, as if our night was going to be countless last-second escapes through windows, and it was, and his legs were kicking out of the window, and we drove down the street like that, his legs kicking at the air and the stupid ugly cars going by, their inhabitants realizing that children were alive in this world and that they had car keys and fists and liquor and time and that the world will be destroyed one day and it will be because of history.

Fan Voting is still open until this Saturday, January 18th
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Meet the Author
including the Defenestrationism.net tradition
of an image of the author’s favorite chair

Ron Riekki has been awarded a 2014 Michigan Notable Book, 2015 The Best Small Fictions, 2016 Shenandoah Fiction Prize, 2016 IPPY Award, 2019 Red Rock Film Fest Award, 2019 Best of the Net finalist, 2019 Très Court International Film Festival Audience Award and Grand Prix, 2020 Dracula Film Festival Vladutz Trophy, 2020 Rhysling Anthology inclusion, and 2022 Pushcart Prize.  Right now, Riekki’s listening to John Barry’s “Bond Smells a Rat” from the Diamonds are Forever film score.

Portrait of my favorite chair: I can’t really draw, so I’ll try to describe it—called The Dragon’s Lounge Chair, it is a cross between the $28 million dollar The Dragon’s Chair and the Marc Newsom Lockheed Lounge Chair worth $2.9 million, but instead of it averaging out to be worth about $15 million, instead it’s worth about $84 billion dollar and I found it in an alley and dragged it into my overpriced apartment in Ann Arbor and put it in the corner of my room where I can see the wall of the apartment complex next to ours perfectly through the cat-sized window and I like to sit it in and dream about the days when I could open my left eye easily and not how it is now, a battered old cereal box that reminds mirrors of Jim Harrison.


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My Brother Spread Your Ashes Today, After I Toted Them Around in My Rental Cars for Over Five Years

January 11th, 2026

by Chantelle Tibbs

the 3rd of August, 2025

Dear Dad, 

I don’t know if I’ll dream of you as often, now. 

Chris and mom spread your ashes in the Menantico Creek. I heard tell you thrived and jived there, once upon a time.  

At least I look like you, Dad.  Maybe gay. Maybe Black.  My hair is in style, the freckles you passed down are endearing. I’m ambiguous in these uncertain times. It’s hot, right now. I have at least half of you to thank for that.

Most of the dreams I have of you are uncomfortable. I tell people about the dreams I would order up of us eating pasta together. Then of course you wanted that pizza we ate on those beautiful green patio chairs of a porch I can’t seem to access anymore. They started off that way but eventually devolved into— us. Now I close my eyes to men circling like sharks as you scream your whisper in my ear, “I’m so sorry.” I don’t know why I’m willing to tell people the truth of how it was to be your daughter in life and can’t seem to get around to fixing the truth about how even the astral experience of being your first born haunts me.

You’re free now, I suppose, I only have hunches and fleeting guesses. There were good times I know. I get it. I should hold onto those but what I really want to tell you right now is, the messy way in which you loved me made it dangerous for me to be alive. 

You imprinted your trauma upon me. Holding romantic relationships is near impossible. Those I am drawn to are trouble. Trouble just recycling those ol’ familiar patterns. The dysfunction of being pulled in by toxicity, the complete madness, the loneliness. The danger. Being a single mom, dangerous. For myself and for your grandson. Less protection. That tidy little family structure the world flaunts, inaccessible. Like the tiny home I dared to dream up just within my reach, held hostage, alongside my patience and any chance of staying dry on some rainy day. I have to make sure I don’t get pregnant by the wrong guy. One income, one child. Dangerous. One income, two children? Poverty is death and I’d get to watch my kids sink into the Earth along with me. 

Our country is gone. She may as well just hurry up and die already but it’s natural for good people to have hope. It’s part of the package. Her demise has made things even more perilous. This isn’t the time to make mistakes or come upon misfortune. Not with one income. One misstep could ruin us. I’m enduring the aftermath of doing pretty much everything right and still falling on hard times. Dangerous. Every time I fall in love, impact, wreckage. A burden as heavy as your ashes. 

As a child, I made the perfect target for statutory rape you’d blame me for while I sought a present father figure. As an adult— Emotionally unavailable women and men, women and men who are reliable only if I sign over control. Fascinating. How these lovers are in touch with every micro ounce of a sabotaging stench I just can’t wash away. The cult. Most dangerous. The “therapist.” Another wet patch of pavement meant for the unsuspecting wheels that turn all of this. Loving you cost me so much. Being your daughter is a price I am still paying. 

Maybe without having to carry your ashes around in the trunk of my rental cars I’ll be able to put down a little more of these other weighted burdens. 

I love you. Always will and all that. Just here sitting in what can be salvaged of our legacy.

Chantelle





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Meet the Finalists of the 2026 Flash Suite Contest

January 9th, 2026

Including an image of our authors’ favorite chair– a Defenestrationism tradition.

Fan Voting is still open.


Diana Parrilla‘s fiction appears with Inkd Publishing, West Avenue, Murderous Ink Press, and others. She was awarded first prize in the 2024 Mollie Savage Sci-Fi & Fantasy Contest and received an Honorable Mention in the 2025 Writers of the Future Contest.

Eleanor Cullen is an MA Screenwriting graduate with a BA in English Literature and Creative Writing. A secondary school Academic Mentor and published children’s author, her debut picture book was published in 2021. Since, Eleanor has won the Cheshire Prize for Literature and had her stories published in several anthologies.



Irene W. Collins is a Pushcart-nominated writer whose work has appeared in IHRAM Publishes and is forthcoming in Cast of Wonders, If There’s Anyone Left Magazine, and Heartlines Spec. She writes about memory, myth, and the afterimage of belonging.



Ibrahim Abdulhakeem is a Nigerian writer whose work explores community, faith, memory, and the quiet intimacies of everyday life. His fiction has appeared in multiple literary magazines, and he lives in Nigeria, where he writes and studies law.

Arif Rehman Khan is a poet, writer, and storyteller from Lahore, Pakistan, whose work explores themes of identity, memory, and the human experience. He has published in online literary journals and actively participates in creative writing workshops.





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Fan Voting now open for the 2026 FLASH SUITE Contest

January 6th, 2026



Go straight to the contest, here.
Vote now, here.


You can access Fan Voting from
our retro navigation panel,
somewhere around
<- – – – – — – – – – – here



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3. The Sky Between Us

January 5th, 2026

by Arif Rehman Khan

Fan Voting Begins tomorrow, January 6th.

[this is the third in a three part series.
read The Sky Between Us from the beginning.]

3. The Sky Between Us

I returned to the town after twenty years abroad. The old square had changed—coffee kiosks, neon signs, tourists taking selfies where our childhood ghosts once played. But the sky… the sky was the same.

The night I arrived, a storm was coming. Lightning branched like veins across the horizon. I found the excavation site where they’d unearthed the remnants of the chair. It sat now in a glass case, its arms broken, its seat engraved with names I did not remember.

As I stood there, the wind picked up—carrying dust, prayer, and laughter. And then I saw them: silhouettes gathering around the case. Old faces, familiar smiles, and those I thought I’d lost.

Someone whispered, “Spin it.”

Without thinking, I touched the glass. It trembled, then cracked—not violently, but like ice thawing in sunlight. The chair within began to turn, impossibly whole again. The storm paused; raindrops hung in the air like suspended pearls.

And for a moment, I felt everything—the grief of the craftsman who built it, the wonder of the children who found it, the hope of a town that refused to forget.

When it stopped, the glass was intact once more. But the sky had changed. The stars formed a circle, glowing faintly like a heartbeat.

Now, when I close my eyes, I see them spinning still—a constellation shaped like a chair, like an embrace. The sky between us no longer divides. It connects.



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2. When We Spun Together

January 4th, 2026

by Arif Rehman Khan

[this is the second in a three part series.
read The Sky Between Us from the beginning.]

2. When We Spun Together

My grandmother said the chair used to sing when the stars were kind. By the time I was born, it had gone quiet, standing crooked in the square like a tired sentinel.

We were children then—my friends and I, full of small rebellions. One summer night, during a power outage, we dared each other to sit on it. The air smelled of wet stone and mango peels. I was the first to climb up.

It was heavier than it looked, its arms worn smooth by years of hands. When I turned it gently, the sky above rippled—as if someone had thrown a pebble into the firmament. My friends gasped. A pulse of light bloomed and faded.

From that night onward, the chair became ours. We spun it every evening, whispering our wishes into the dark: to pass our exams, to heal a sick parent, to find courage. And sometimes, the sky answered.

But everything changed the night we spun it too long. A wind rose—not from the sky, but from beneath the ground. The church bell rang though no one pulled its rope. I remember my friend Laila crying out, “Stop! It’s listening!”

We ran, and when we returned the next day, the chair was gone. Only the circular groove remained, pressed deep into the cobblestones.

Years later, when the town rebuilt the square, they found fragments of it buried under layers of dust. My grandmother said it had folded itself into time, waiting for us to grow up.

She was right. Because some nights, when the wind changes, I hear a faint spinning sound—like a lullaby sung by the stars.



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The Sky Between Us

January 3rd, 2026

by Arif Rehman Khan

1. The Chair in the Square
posting January 3rd
2. When We Spun Together
posting January 4th
3. The Sky Between Us
posting January 5th





1. The Chair in the Square

The first time I saw the chair spin, it was at dawn, when the fog still clung to the cobblestones like breath. I had carved it in mourning—an oak monument for the child my wife and I had lost to winter. The townsfolk thought it a foolish thing, placing a chair in the middle of the square, facing no door, no altar, no home.

But I needed something to hold the silence. So I built it wide enough for the wind to rest upon, sturdy enough for sorrow. I left it there, beneath the great clock tower, and went home to sleep.

The next morning, people said the stars had moved—drawn closer, like a curtain folding. At midnight, the constable swore he’d seen the chair spin once, slowly, as though someone unseen had sat in it and turned toward the heavens.

Soon, everyone came to touch it. Mothers with their infants, soldiers leaving for the frontier, beggars seeking luck. And each time the chair spun, something shifted above—the moon trembled, clouds broke apart.

The mayor ordered me to explain it. I told him it was only wood and grief. But in truth, I no longer knew what I had built. All I knew was that every time it turned, the air grew lighter, as if the town itself were learning to breathe again.

Years later, when my wife died, they buried her facing the chair. On the night of her burial, it spun so fast the clock tower’s hands shook loose. The next morning, the townsfolk found me sitting there, whispering her name into the wind.

They say the stars rearranged themselves into her likeness. I do not remember. Only that, when the chair stopped, I finally felt the weight of silence lift.




2. When We Spun Together

My grandmother said the chair used to sing when the stars were kind. By the time I was born, it had gone quiet, standing crooked in the square like a tired sentinel.

We were children then—my friends and I, full of small rebellions. One summer night, during a power outage, we dared each other to sit on it. The air smelled of wet stone and mango peels. I was the first to climb up.

It was heavier than it looked, its arms worn smooth by years of hands. When I turned it gently, the sky above rippled—as if someone had thrown a pebble into the firmament. My friends gasped. A pulse of light bloomed and faded.

From that night onward, the chair became ours. We spun it every evening, whispering our wishes into the dark: to pass our exams, to heal a sick parent, to find courage. And sometimes, the sky answered.

But everything changed the night we spun it too long. A wind rose—not from the sky, but from beneath the ground. The church bell rang though no one pulled its rope. I remember my friend Laila crying out, “Stop! It’s listening!”

We ran, and when we returned the next day, the chair was gone. Only the circular groove remained, pressed deep into the cobblestones.

Years later, when the town rebuilt the square, they found fragments of it buried under layers of dust. My grandmother said it had folded itself into time, waiting for us to grow up.

She was right. Because some nights, when the wind changes, I hear a faint spinning sound—like a lullaby sung by the stars.




3. The Sky Between Us

I returned to the town after twenty years abroad. The old square had changed—coffee kiosks, neon signs, tourists taking selfies where our childhood ghosts once played. But the sky… the sky was the same.

The night I arrived, a storm was coming. Lightning branched like veins across the horizon. I found the excavation site where they’d unearthed the remnants of the chair. It sat now in a glass case, its arms broken, its seat engraved with names I did not remember.

As I stood there, the wind picked up—carrying dust, prayer, and laughter. And then I saw them: silhouettes gathering around the case. Old faces, familiar smiles, and those I thought I’d lost.

Someone whispered, “Spin it.”

Without thinking, I touched the glass. It trembled, then cracked—not violently, but like ice thawing in sunlight. The chair within began to turn, impossibly whole again. The storm paused; raindrops hung in the air like suspended pearls.

And for a moment, I felt everything—the grief of the craftsman who built it, the wonder of the children who found it, the hope of a town that refused to forget.

When it stopped, the glass was intact once more. But the sky had changed. The stars formed a circle, glowing faintly like a heartbeat.

Now, when I close my eyes, I see them spinning still—a constellation shaped like a chair, like an embrace. The sky between us no longer divides. It connects.







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